#Rush movie moviePositive messages are available in superbly crafted movie with solid performances and incredible makeup effects and cinematography. While the incident forever alters Lauda physically, it also emotionally scars Hunt and his perception of the “enemy”. As feared by Lauda, the treacherous conditions do lead to a horrific accident-one that leaves him nearly dead. #Rush movie driversEqually bold in sharing his opinion, James Hunt uses his swagger to persuade the crowd of other drivers that the Austrian is only using the weather as an excuse to eliminate a potential loss. Even though Lauda holds the record on the course, he’s convinced the race should be cancelled for safety reasons. It’s been raining on the already difficult track at Nürburgring Germany. That gives him the edge just often enough to keep him in the running. But Formula 1 racing is a sport that demands fearless participants and Hunt, either through stupidity or an overdose of testosterone, drives like he’s immortal. Lauda’s consistency, ability to manage risks and his inherent interest in the sport-from the design of the tracks to the intricate mechanical nature of the cars-provides a solid foundation that delivers positive results. Race after race these two competitors come to the finish line one behind the other. However the relationship does little to mellow the man who can’t leave danger alone. After his sponsor stongly encourages him to settle down and lead a more responsible life he marries Suzy Miller (Oliva Wilde), a beautiful woman with a modelling career. (These exploits are depicted in various sexual scenes, some of which include nudity). They include fueling his need for risk-taking behavior, speed and-possibly the biggest benefit-attracting women wherever he goes. For him the appeals of the sport are entirely different. On the other side of the track is the passionate James Hunt. His acquaintance with others at the corporation eventually brings Lauda into the life of Marlene (Alexandra Maria Lara), a woman who proves to be an understanding support for a man afraid happiness may distract him from winning. After tinkering with the Ferrari he squeezes out an impressive performance improvement and wins the founder’s approval. But Lauda’s skills behind the wheel also extend to his technical abilities under the hood. Never a man to soften his words, his single-minded determination eventually leads him to the Ferrari company where, after taking one of their prized vehicles around the track, he tells Enzo Ferrari (Augusto Dallara) his vehicle is (substituting for a scatological term) akin to garbage. Unabated he manages to get the cash together without their blessing. Lauda comes from a wealthy family that is determined to stop him from participating in the expensive sport by using their influence to keep him from obtaining the money he requires. Based on the real lives of Formula 1 race drivers James Hunt (played Chris Hemsworth) and Niki Lauda (played by Daniel Brühl), the script details their careers over a period of years during the 1970s when they were staunch opponents on the racetrack. And although they are polar opposites, it’s hard to feel empathy for either. Post apocalyptic completists may find it worth viewing if even to compare it to the aforementioned films and other Italian productions to match up the possible reused locations.Ron Howard tackles a tough script in the movie Rush where he deals with not one but two protagonists. Overall, one person's rubbish is another's treasure. Both Osiride Pevarello as Homer and Laura Trotter as Carol deserve a mention. Riccardo Pizzuti's Steel is notable and is impressive in a throwaway fight scene. Bruno Minniti in leather as Rush sporting a John Rambo-look does a good enough job as the lead. Under the red filtered sky water and plant life is scarce but plenty of H2O is gushing out of a fire hydrant and there's an abundance of tree foliage in this post apocalyptic world of jeeps and golf carts. Carpi and Ricci's lapses in logic are as bizarre as the stock music, contaminated makeup, fight scenes, shootouts and sound effects. It suffers more so from the usual Italian production issues of the 80s, clunky dialogue, choppy editing, awful dubbing and sound design. Released in 1983 the same year as a windfall of other similar films including Escape from the Bronx, The New Barbarians, Endgame, 2019: After the Fall of New York to name a few, Ricci's Rush is a lower end cash in. Director Tonino Ricci offers a highly derivative Italian action, Tito Carpi and Ricci borrow the plot from Exterminators of the Year 3000, another Mad Max 2 copy-cat, along with a few set ups from First Blood (1982). Rush a scavenger in a post-nuclear holocaust world and his group of oppressed freedom fighters take on Yor and his well armed militia to stop their experiments and avenge his brother's death.
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